VFX
Post-production on PG Produções' animated feature. A six-month engagement, with the entire film passing through GGfx compositing. It premiered on Amazon Prime and was selected for Cannes, Annecy and Ventana Sur.
The core of the work is integrating 3D shadow into the 2D artwork and compositing the entire film: it is the layer that gives each shot its time of day, its atmosphere and its depth, and it is what separates a painted scene from a scene that exists. What made a feature fit into six months was not manpower. Before production started, GGfx wrote an automated pipeline in Blender to process shots at scale, and ran the film on its own render farm. That is exactly the kind of automation that became GGfx's talk at the Blender Conference in Amsterdam.